|want to hear a joke?|
"how are you going to look with all those tattoos when you’re old??"
rad as hell
Reblogging this babe
reblogging for the last shot
fun fact: she got them all after she turned like 37. all of them.“She said: ‘I love my tattoos but men don’t seem to feel the same. My appearance seems to scare them off. ‘I’ve only ever been on one date in seven years. That was through a tattoo-lovers dating site - but it didn’t last. ‘I think when men first look at me, they think I’m a bit rough. They mutter ‘look at the state of her’ under their breath. They don’t bother to get to know me.’ ”
this lady is BADASS and I want to be remotely half as awesome as she is if I make it that far
(Source: , via izabeldarling)
maybe instead of complaining “not all men are like that”
you should be saying “too many men are like that”
because when you say not all men are like that what you’re telling us is that you care more about your feelings than you do about our safety
and that’s some shit right there
- Stoya (via chubby-bunnies)
ROLLING STONE’S 50 BEST ALBUM’S OF 2013: #1 - VAMPIRE WEEKEND, ‘MODERN VAMPIRES OF THE CITY’
The first two Vampire Weekend albums showed off a sound unlike any other in rock: a precocious mix of indie pop, African guitar grooves and wry, boat-shoe-preppy lyrics that were sometimes too cute for their own good. But with Modern Vampires of the City, they went deeper, adding scope and ambition to all the sophistication. In 2013, no other record mixed emotional weight with studio-rat craft and sheer stuck-in-your-head hummability like this one. It’s one of rock’s great albums about staring down adulthood and trying not to blink — that moment where, as singer Ezra Koenig puts it, you realize “wisdom’s a gift/But you’d trade it for youth.” The music is sculpted and subtly bonkers, with orchestral sweeps balancing hymnlike beauty and dub-inflected grooves. Koenig earns those Paul Simon comparisons thanks to vivid lyrics about youngish things in crisis — the unemployed friend who can’t find a reason to shave in “Obvious Bicycle,” the weary couple soldiering through the road-trip epic “Hannah Hunt.” Then there’s Koenig himself, filling songs like “Worship You” with religious allusions, evoking the search for meaning and faith with wit and skepticism. The album’s fog-over-New York cover reminds us just how hard that search has become. The music makes it feel worth the heartache just the same.
(via Rolling Stone)